Friday, 31 January 2014
Thursday, 30 January 2014
Monday, 27 January 2014
Wednesday, 11 December 2013
Monday, 9 December 2013
5 Iconic Rap Hits and the Ghostwriters Behind Them
Here it is, five huge rap hits spanning all eras of the genre, with the actual ghostwriters themselves revealing how writing the tracks went down. Straight from the horse’s mouths, ghostwriting has always been a down-low element of the game.
Sugarhill Gang – Rappers Delight
Credited to: Sylvia Robinson, Big Bank Hank, Wonder Mike, Master Gee; Later credited: Bernard Edwards, Nile Rodgers
Ghostwriter: Grandmaster Caz (Curtis Brown)
From Grandmaster Caz’s official bio: “In 1979, former R&B singer and label head Sylvia Robinson discovered Caz’s friend Big Bank Hank rapping along with one of Caz’s practice tapes. Impressed, she invited him to become the third member of a studio rap group called the Sugarhill Gang, which was set to record the first rap single. Without revealing the true author, Hank went to Caz and asked to borrow the rhymes for the record; Caz agreed, hoping for an eventual favor in return — which never materialized, and neither did songwriting credit or royalties.”
Eazy-E – Eazy-er Said Than Dunn
Credited to: Eddie Floyd, Bonny Rice, Rufus Thomas and Andre Young
Ghostwriter: Ice Cube (O’Shea Jackson)
In an interview with Complex Ice Cube detailed how he wrote Boyz-n-The-Hood for a group Eazy was managing: “He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mixtapes. So when I wrote it, it was too West Coast for them. They didn’t understand the terminology. So they rejected the song. I paid for the studio time already, so Dre convinced Eazy that he had a good enough voice to do it.” Later on in the interview, Cube names ‘Eazy-er Said Than Dunn’ and ’8Ball’ as personal favorites from Eazy’s debut album, casually adding “I wrote them” when asked about his involvement with those tracks.
Dr. Dre Ft. Snoop Dogg & Nate Dogg – The Next Episode
Credited to: David Axelrod, Brian Bailey, Melvin Bradford, Calvin Broadus and Andre Young
Ghostwriter: The D.O.C. (Tracy Lynn Curry)
As told to LA Weekly: “I’d cultivated that song for such a long time. The very last line of ”G’ Thang’ is ‘Just chill ’till the next episode,’ but this song didn’t happen for ten more years. We did it three or four times before it finally appeared on 2001. We were just waiting for the right story, and 2001 ended up being a huge record.”
Lil’Kim – Crush On You
Credited to: Shaunee Heard, Kowan Lloyd, Jeffrey Lorber and Cristopher Wallace
Ghostwriter: Cam’ron (Cameron Ezike Giles)
In an interview on Hot 97 Killa Cam revealed how he wrote a verse for the Queen bee’s 1997 hit single: “What happened was, [Untertainment CEO Lance] Un [Rivera] gave Mase $30,000 to write five songs for Lil’ Cease at that time and Mase gave me $5,000 of the 30 to write one or two of the songs,” he said. “I wrote the ‘Crush on You’ song and they ended up keeping it for Lil’ Kim album but it was really for Lil’ Cease. The original ‘Crush on You’ is all Lil’ Cease, Lil’ Kim isn’t even on the record.”
Baby Ft. Clipse – What Happened To That Boy
Credited to: Chad Hugo, T. Thornton, G. Thornton, B. Williams and P. Williams
Ghostwriter: Gillie Da Kid (Sar’d Nasir)
Speaking to XXL about how he was pushed to the background of the Cash Money empire when refusing to sell his publishing rights to Baby, Gillie Da Kid revealed he had been writing most of Birdman’s verses, including the one on his popular collaboration with the Thornton brothers: “Clipse was in the studio when we wrote it, they seen that I wrote it. They seen Stunna in the booth like, “Gillie, how you say that?” I would rap a verse and he might take a word out to make it sound New Orleans, but it’s my pen. And I been around New Orleans so much that I know what they talk about. And I know Stunna he can’t say too many big words, so you got to make it as simple as possible”
Sugarhill Gang – Rappers Delight
Credited to: Sylvia Robinson, Big Bank Hank, Wonder Mike, Master Gee; Later credited: Bernard Edwards, Nile Rodgers
Ghostwriter: Grandmaster Caz (Curtis Brown)
From Grandmaster Caz’s official bio: “In 1979, former R&B singer and label head Sylvia Robinson discovered Caz’s friend Big Bank Hank rapping along with one of Caz’s practice tapes. Impressed, she invited him to become the third member of a studio rap group called the Sugarhill Gang, which was set to record the first rap single. Without revealing the true author, Hank went to Caz and asked to borrow the rhymes for the record; Caz agreed, hoping for an eventual favor in return — which never materialized, and neither did songwriting credit or royalties.”
Eazy-E – Eazy-er Said Than Dunn
Credited to: Eddie Floyd, Bonny Rice, Rufus Thomas and Andre Young
Ghostwriter: Ice Cube (O’Shea Jackson)
In an interview with Complex Ice Cube detailed how he wrote Boyz-n-The-Hood for a group Eazy was managing: “He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mixtapes. So when I wrote it, it was too West Coast for them. They didn’t understand the terminology. So they rejected the song. I paid for the studio time already, so Dre convinced Eazy that he had a good enough voice to do it.” Later on in the interview, Cube names ‘Eazy-er Said Than Dunn’ and ’8Ball’ as personal favorites from Eazy’s debut album, casually adding “I wrote them” when asked about his involvement with those tracks.
Dr. Dre Ft. Snoop Dogg & Nate Dogg – The Next Episode
Credited to: David Axelrod, Brian Bailey, Melvin Bradford, Calvin Broadus and Andre Young
Ghostwriter: The D.O.C. (Tracy Lynn Curry)
As told to LA Weekly: “I’d cultivated that song for such a long time. The very last line of ”G’ Thang’ is ‘Just chill ’till the next episode,’ but this song didn’t happen for ten more years. We did it three or four times before it finally appeared on 2001. We were just waiting for the right story, and 2001 ended up being a huge record.”
Lil’Kim – Crush On You
Credited to: Shaunee Heard, Kowan Lloyd, Jeffrey Lorber and Cristopher Wallace
Ghostwriter: Cam’ron (Cameron Ezike Giles)
In an interview on Hot 97 Killa Cam revealed how he wrote a verse for the Queen bee’s 1997 hit single: “What happened was, [Untertainment CEO Lance] Un [Rivera] gave Mase $30,000 to write five songs for Lil’ Cease at that time and Mase gave me $5,000 of the 30 to write one or two of the songs,” he said. “I wrote the ‘Crush on You’ song and they ended up keeping it for Lil’ Kim album but it was really for Lil’ Cease. The original ‘Crush on You’ is all Lil’ Cease, Lil’ Kim isn’t even on the record.”
Baby Ft. Clipse – What Happened To That Boy
Credited to: Chad Hugo, T. Thornton, G. Thornton, B. Williams and P. Williams
Ghostwriter: Gillie Da Kid (Sar’d Nasir)
Tuesday, 3 December 2013
Thursday, 28 November 2013
Webjunkies leading the call to Action for the Africans for Africa Network
Social entrepreneurs across Africa rally to the call to unite in support of pan African networking by joining the Africans for Africa Network to change the media narrative from one driven by western European influence to one that reflects an authentic African voice.
The Africans for Africa Network is a bold initiative and one that is long overdue. Heading the list of visionary Africans joining the Africans for Africa Network is Webjunkies.
Kevin Naidoo and Rajen Govender, the joint shareholders of 4sa Technologies (Pty) Ltd, trading under a bouquet of brands (signs4sa.co.za, cars4sa.co.za, trucks4sa.co.za, bikes4sa.co.za and more) believe whole - heartedly in this initiative, “As entrepreneurs, we face numerous challenges daily, but we remain committed to shaping the social landscape where we can. Joining this initiative was a way of us ‘paying it forward’ “, they said.
Webjunkies, also a division of 4sa Technologies that caters for website development and online “real estate” management, was deployed to create an online presence for the Africans for Africa Network.
The company is passionately and competently driven by Naidoo and Govender, both confident businessmen infused with drive and ambition. Kevin is primarily responsible for growth initiatives while Rajen, a Chartered Accountant (SA), takes care of all governance and strategic matters. With Naidoo’s strong background in Sales and Govender’s solid financial experience, they make a formidable team.
Govender explained that the 4sa Technologies Group was formed to enable the on-line presence of motor related businesses seeking to extend their reach to a continuously growing, ever demanding and tech - savvy community. “We are a fully empowered company, principally generating on-line leads with added website development capability. We have recently extended our offering to include design, manufacture and installation of all types of signage. “, he said.
They both hail from Chatsworth, Durban and met up in Johannesburg in 2010 at a mentorship programme. An immediate friendship was forged between these two determined, like-minded men. After the programme they realised that they were eminently suited to working together and set about outlining an efficient business plan.
In 2011 they acquired an already established family concern and Signs4sa.co.za, came into being, offering a bouquet of signage services. This entity is currently the largest in the Group. They are supported and assisted by their experienced and capable staff.
From modest backgrounds – life was not easy – they both say that it was effort, determination and dedication that got them to where they are today.
Naidoo says he learned the “value of hard work” when he relocated to Johannesburg and in a short time worked through the ranks to become a Sales Director. The more voluble and bolder of the two, he talks passionately about “transferring skills” - they both feel very strongly about “paying it forward” and putting back into the community. They like nothing better than developing emerging entrepreneurs within their group.
With a very strong work ethic, “we pride ourselves on the quality of our workmanship”, their group companies stimulate engagement and productivity by drawing on the natural talents and skills of their team. Govender mentions that at an emotional level it is about cultivating positive emotions and encouraging individual initiatives.
With a reputation for excellence this Johannesburg-based group is driven by the belief that “any form of client engagement has to have the prominence and care it deserves”. Each business within the group rates amongst the highest accredited Black empowered businesses. In a short space of just under two years the combined staff complement currently stands at 42 and is set to increase. They recently opened a Signs4sa branch in Durban.
Their vision is to create self-sustaining businesses that contribute meaningfully to the greater South Africa and looking into the future, the world is their oyster: “we stand toe to toe with anyone in the business”.
As for the Africans for Africa initiative: “We hope to see it achieve its objectives of ground-breaking, lasting change and creating the platform dialogue it wishes. It’s about time that Africans take control of their destiny”, they said.
The aims of the Africans for Africa Network, the brainchild of Vanessa Perumal, founder of JT Communications Solutions and the JT Comms African Media Resource Centre of Excellence, are to engage in a series of dialogues, set up exchanges between artists on the continent, create new markets for Africa’s cultural content and products and take ownership of the space in which Africa’s voice is expressed through music and culture in international arenas.
“We were delighted to have recently launched the website at the biggest world music festival (Womex 2013) in Cardiff, Wales. We are very grateful to have had Webjunkies, a key trade-exchange partner, design our website. We thank them for their generous support,” said Perumal.
Besides the key stakeholder and trade exchange, Webjunkies, Perumal also set up partnerships with South Africa’s Emthonjeni Arts and Mali’s renowned FestivalauDesert and various other African networks including IMEXSA, iStart2, SA Women Engineers, Howiviewafrica, Woldegiorgis Ghebrehiwot from Mekelle University, Tigray, Ethiopia, Johnny Muteba from Democratic Republic of Congo, Sam Mokorosi’s Africa The Good News, Gcinamasiko Arts & Heritage Trust - Nozincwadi (Dr Gcina Mhlope) and Harem Clothing.
The first of the Africans for Africa Network’s pan African exchanges will be hosted by the Emthonjeni Arts with a two-week long residency with artists from the Malian Festival au Desert, in December 2013. This first-ever partnership between the two countries emerged out of Africans For Africa Network’s mission to change the prevailing narrative of Africa from one driven by Western media, to one that reflects the inherent strengths of the continent across various Afro-centric platforms.
About Africans for Africa
The Africans for Africa Network is instrumental in providing content and programming for a myriad of bilateral activations in Africa, realised through a network of partnerships with various groups and organisations.
Spearheaded by the JT Comms African Media Resource Centre of Excellence the network will focus on: ongoing exchanges, topic specific dialogues and the creation of platforms for African artists within and outside the continent throughout the year; an annual pan African Dialogue; hosting a Global Concert for Peace, featuring top African and international artists, performing for an international audience; and hosting dialogues.
Launched in October 2013 the Africans for Africa website was created by Webjunkies and will plug into open source networks like Howiviewafrica, Sam Mokorosi’s Africa The Good News and others.
The website will be managed by Di Sparks who comes from a Public Relations background. She enjoys working with people and particularly enjoys sharing knowledge and hopes to stimulate an excitement about the Africans for Africa network. She hopes to stimulate and push others in common networks to tell their own African stories that can re-shape and build closer partnerships.
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